1
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Disclose crime
(Some choose to make the crime a whole prologue from the point of view of the
victim or the perpetrator) in the most dramatic way possible.
Reveal a clue but
don’t bring attention to it
Introduce
detective
Introduce
Setting
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2
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Start the
detective on the path to solving the crime by remembering the clue that was
notice in chapter one or introducing one. Select suspects and start out
interviewing, either obtrusively or unobtrusively. One of them should turn
out to be the criminal later on in the story.
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3
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Introduce a
subplot that affects another part of the sleuth’s life (a new friend, an
enemy or higher in rank sleuth, a friend who kisses her complicating their
relationship, a sister who reappears).
Reveal facts
about some suspects
Find a few more
clues that may eliminate one or two suspects but brings one suspect to the
forefront
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4
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Interview the
forefront suspect
Find a clue
that shows he/she lie or testimony from other suspects who is also now
eliminated
Make the
forefront suspect disappear, runaway or die
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5
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Everything
points to the missing suspect but the detective just feels it doesn’t feel
right plus there are some clues that are still unexplained
Provide a
climax for a subplot that distracts the sleuth from solving the crime, makes
the crime personal or demands that they stop the investigation or a crisis
with the crime itself
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6
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Now the
investigator has a personal stake in solving the crime as a result of the
previous crisis(either threat to his life, loved one, emotional attachment).
Broaden the
investigation to put suspicion on other suspects. Start to focus your clues
towards your solution though try not to make it obvious.
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7
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Reveal shocking
histories, unexpected characters coming to town, shocking revelations,
formerly secret relationships e.g business arrangements, affairs, hidden
kinships, and scores to settle. Clarify previous clues that had not been
understood. Missing suspect is found (either dead, in a coma or unwilling to
talk) but either way is automatically eliminated
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8
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Interpretation
of found clues leads to a dead end and the sleuth has to review to determine
where he/she went wrong making all left suspects equally able to have
committed the crime. New clues are only complicating the mystery and not
helping in its solution i.e. throw in a twist (e.g. the food isn’t what
poisoned the victim). Resolve one of the sub – plots. Remember the clue in
chapter one that skipped us and add to what the sleuth knows so far. Sleuth
makes a conclusion which is undisclosed to the reader
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9
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The sleuth
seeks evidence to support the as yet undisclosed conclusion. Two suspects
left (you may reveal or not reveal). Sleuth finds something (perhaps it
proves that the flimsy alibi of the prime suspect is actually valid).
Criminal and the other suspect turns up where sleuth is trying to find
evidence.
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10
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Dramatic
confrontation between sleuth and criminal which the detective will win either
by the timely entrance of his best friend who he’d called before, the cops
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Thursday, 2 August 2012
Sample Mystery Plot Outline
Labels:
outlining
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